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You have a wide range of lenses to pick from and equally different price tags. As always very much appreciated. They have a pleasing organic rendering that is not dissimilar to Contax. I'm not too sure where they got their findings, but apparently this was a series of tests possibly published on Zeiss's website. The 15mm is a gorgeous rectilinear super wide angle, it shares the same optical formula as the Leica Super-Elmar 15mm f/3.5, with different coatings. The rubber grip on the focus ring of the lenses is awesome because it prevents the gears from sliding, but its also a pain because it makes the fitting a lot harder. May be one of the sharpest Contax primes ever made. Germany vs Japan? I was not impressed, so I decided to make my own. This wraps the first step in building a set of lenses: getting the glass. Filter. I am thinking of selling the lenses we tested together. Im still weighing if I need it or not. These I ordered from MOO, because they offered me more variety at a much lower price. I know a bunch of photo magazines back in the 90's and early 2000's did comprehensive tests and reviews of Contax, I wonder if they lifted the numbers from one of those? It all started when I stumbled upon a post on Craigslist from a guy selling his Contax Zeiss set. In fact, i'm almost considering selling my 85mm f1.4 for that reason. See the photo below! Every time I had to pick a lens I went for the 35mm f/2.8 instead. I say that because Ive encountered many people who get confused and think Contax is weird Japanese junk. I know I stopped mentioning how sharp these lenses are, but the 60mm is worth highlighting. Landmine Media, LLC. Contax also made very impressive Zooms. Like ZF/ZEs, they have fantastic barrel rotations (often 180 degrees or more). The Contax dont look vintage to me, but they also dont look modern. They get quite slow in the wides (the 18 is an F4, the 15 a 3.5). But if you want SPECIFIC tailored performance, than RPPs, Cookes, or Ultraprimes are probably a better choice (for many times the budget). Thoughts? Adobe Photoshop and Lightroom impress in a lot of ways, but their noise reduction lags the competition and their lens corrections lack a real-world basis. See the photo below! Its been there for quite a while and I have checked up on it countless times to help me make decisions. Their disadvantages are that they don't have matching T stops (hey, theyre still lenses!). As stated repeatedly, like ZF/ZEs, Contax lenses have great cinema mechanics. Conveniently for me as I was finishing the set, SIMMOD Lens came into the picture, with very competitive prices, impressive customer service and super high-quality products. I'm thinking about a Contax tele, such as the 180/2.8 Sonnar. If youre not a DIY spirited person or you dont like getting things from a million different places -, I worked with Ron at SIMMOD so he can provide caps with stickers already on them. ALL of my MMs do NOT have the Ninja-Star, so Im going to say this is a Maxim. You have to keep wiggling them slowly, side by side, until they are in place. To fix that I took the stickers off, added a thin layer of glue, put the stickers back in place and let it all dry overnight. Next came the 60mm f/2.8 Macro. Besides Leica Rs, also give Nikkors (obviously), Canon FDs, and Minolta Rokkors a good look. The lenses were made in two generations. Im from Bangladesh. Yes, its one step slower than the its siblings, but it definitely crushes them with razor sharp focus and a beautiful transition into bokeh. Collapse. We've combed through the options and selected our two favorite cameras in this class. They are made in Spain, cost about 60 euros each and you install them on the back of the lenses using the provided screws. It was a time when I didnt shoot much, but I went on long bike rides. I shipped all of them to SIMMOD for declicking and a quick checkup. This is a guide for people that love handling gear and tweaking little things here and there. In the same way RED wants to give you as many options by letting us shoot RAW, my hunch is that Zeiss was doing the same back in the day with a low-con coating. The last decision I had to make was between the 18mm f/4 and the 15mm f/3.5. Copyright 2007-2022. Live with it. It was not a problem as a starter set. RED V-RAPTOR 8K VV Lab Test: Rolling Shutter, Dynamic Range and Latitude plus Video! I still dont know when to use them, though! Its a gradual process, guys. By the 1960s, competition from the Japanese led to the eventual shuttering of both subsidiaries - even as the larger Zeisss stayed in business. Original Contax Zeiss set on the left, Soviet set on the right. The only thing I could maybe do later is update the markings on each lens with fluorescent paint like what you see here, by Moritz Schierenbeck on VLFVs facebook group. Eventually will spring for 135/2.8. For a while I didnt understand the need for 80mm fronts, so Ill share what I learned so others wont live too long unknowing like me! I needed a proper case! Contax Zeiss Survival Guide In reply to Giovanni_1968 Nov 30, 2021 While this site is targeted to adapting Zeiss Contax lenses for video, it also seems to be the go-to guide for the rest of us with respect to these lenses. The tab and the last stop in green that mark MM lenses. Whenever I started thinking the Soviet lenses were sharp, Id pop one of the Contax on the camera and stare in awe. They dilate quite a bit and fit much more easily. ZEISS lenses for mFT? - Digital Photography Review With less glass comes more consistency. The 35 f2, 25f2, 50 f2 lenses are all completely new and completely superb. That was probably one of the most stressful experiences of my life with lenses. adapters work fine ($15) (They are conservative and tend to overcompensate by a millimeter or two, so they can make your glass focus past infinity at the tail end, a bit annoying but nothing terrible). Whats the best camera for around $2000? Then, near the end of last year I decided to round out the set and make it suitable for renting. 80mm is the outside diameter of the rings, and that number is so specific because its a standard size for clip-on matteboxes. You can use the code CINE at check out for a nifty discount! Next up was the 35mm, two stops faster at f/1.4. Contax Zeiss Survival Guide. I was just ahead of the game, so it wasnt necessary on my case. Also ZF/ZE's tend to. They cover full frame, are super easy to adapt to many other mounts and never lose their value. Zeiss made the jump to MM's in order to enable camera control of the aperture. It also has built-in color filters which I freaked out when I realized how to turn them. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. We've been putting it through its paces. Thats where my obsession started. Contax / Zeiss Planar 100mm f2 (A7ii + X-T1) - FujiX-Forum AEs and MMs all color match. Lets go back to the 70s. AE lenses also show ninja-star bokeh when stopped down, which is a major turnoff for some folks. Really. Thats when I learned of Leitax and their mount replacements. The Zeiss ZF is phenomenally sharp and modern, which I found good for general and macro photography but I found unpleasant of for portraiture. These last two are challenging to adapt to EOS because of their. Distagon, Planar, Sonnar, Tessar, Biogon and Hologon. I was not impressed, so I decided to make my own. Some folks consider several of the Zeiss Contax Yashica lenses to be very similar to the real Super Speed. For those not wanting to go the 'pro' Cine-Mod route, you can do it yourself with decent results. to use on my Komodo. Lucky for me my 50 and 85/1.4 were already MMJ. This stumps everyone. Its history criss-crosses wars, politics, and conjures up the never-ending battles between Leica and Zeiss. As they were designed for photography, they have clicked stops, which has to be dealt with, but they all feature non-rotating front elements, which is a very valuable feature these days with vari NDs. I'm planning on building a Canon FD or Contax Zeiss C/Y set (I read the Contax Survival Guide, thank you Nick Morrison!!!) The main difference being that a normal human can afford Contax Zeiss but not Leicas. These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality.